EQUIPMENt
Built for Production
Every piece of equipment in my package has been chosen to support one thing: creating strong cinematic images while keeping productions efficient and collaborative.
My camera systems are designed to scale with the needs of each project, from lightweight documentary work to full commercial or narrative builds.
Because I own and operate the equipment myself, every component is something I know deeply and trust on set. The result is a camera package that moves quickly, stays reliable, and allows the crew to stay focused on the creative work.
Gear
01
Sony Venice 6K
At the heart of my package is the Sony VENICE, a full-frame 6K cinema camera used on major feature films and commercial productions. Known for its dynamic range and natural color science, it delivers images that hold beautifully through post-production while remaining flexible for a wide range of shooting environments.
03
Wireless Video & Monitoring
Reliable monitoring is essential for collaboration on set. My camera package includes Teradek wireless video systems paired with SmallHD production monitors, allowing directors, focus pullers, and clients to view the image in real time with stable and color-accurate monitoring
05
Lighting & Grip
A small but versatile lighting package designed for naturalistic lighting and fast setups.
Ideal for interviews, documentary environments, and controlled cinematic lighting when needed.
02
NiSi Athena Cinema Lenses
My primary lens set is the NiSi Athena Prime series, a modern set of full-frame cinema lenses designed for a natural, cinematic look. The lenses provide consistent color, smooth focus falloff, and a versatile focal range suited for narrative filmmaking, interviews, and commercial production.
04
Camera Support
Camera movement and stability are supported by O’Connor tripod systems and Easyrig camera support. The O’Connor fluid heads provide precise, cinematic movement, while the Easyrig allows for comfortable handheld operating during long shooting days.
Why I Bring My Own Equipment
Many productions choose to work with a cinematographer who owns their equipment because it simplifies the workflow and keeps costs predictable.
Because the camera systems are my own, they are maintained, configured, and ready for production at all times. This allows projects to move quickly without the delays that often come with last-minute rentals.
It also allows me to tailor the camera build specifically to the needs of each project.